CatNamedManny wrote:Based on Jonathan David Brown's interview with Sue (found here), Louie played on More Power to Ya, after which Brown used Keith Edwards (who had done the studio work before Louie was hired right after the completion of Never Say Die) for Not of This World and the aforementioned Fairlight programmer for Beat the System.
Here's what Brown said about the MPTY and NOTW recordings with Louie:
And, later, about BTS and CITASAnyway, Louie did GREAT, especially under the kind of pressure I was accustomed to doling out to those who could not play in time. Somewhere in there, though, we had a few tense moments which set the stage for me having to ask him during a subsequent rehearsal to sit out for Not of This World, when I hired Keith to come back. I really regretted having to do this to the band. I really loved Louie. I just was not able to get what I thought PETRA had to have. I don't know, maybe I had tunnel vision... I brought Louie in at the end and add some finishing cymbal touches. This sorta smoothed things out to where we weren't fighting a cold war.
Reading that interview, which I found while doing work on the Wikipedia project, is something else. Brown is obviously reworking history to make himself sound better (his version of why he stopped working with Petra is completely the opposite of Bob's version, for example), and I've never understood -- and always thought it regrettable -- that Petra's drummer didn't actually play on some of Petra's best early albums. To hear Brown tell it, though, he made Louie into what he became during the Schlitt era. Maybe he did, but I'm pretty skeptical about taking Brown at his word, especially given his, *ahem* colorful post-Petra experiences in the early 1990s.So when Beat the System came around, I was not in the mood for another round of confrontational stuff. I suggested to the Darrell and Wayne and the Band that we go with a Fairlight programmer for bass and drums - Carl Marsh. ... The last record I did with them, Captured In Time And Space, made a way for Louie and me to be reconciled. I was able to really encourage him in the live performances. When the results were good, it fuelled his confidence like nothing before. I think he really had a blast. The reason I focused on Louie in this story, besides to explain the Beat the System question, is because he is the longest standing member of the group. He became what I'd consider to be one of the best and most consistent drummers in the business, and made lemonade out of the lemons he bought.
I think that has been brought up before... maybe like 3 years ago? But it is interesting cause I haven't read that in a long while. Thanks for bringing this back up! Good info