Posted: Fri Sep 19, 2008 10:47 am
Jekyll & Hyde, and More Power To Ya
The Place for Petheads
https://thepetrazone.net/
I hear ya on this, however, "Dream Team" has unofficially been given to the members during the BB years. When most people think of Petra, that's whom they think of.separateunion wrote:Ok, so I understand that "The Dream Team" era was when Petra was at their popularity pinnacle, but isn't the dream team supposed to be the best members? No knock on Ronnie, but I think he was one of the least talented bass players Petra ever had. Mark Kelley was better. Greg Bailey was better. Lonnie Chapin may have been the best bassist they ever had. So, shouldn't the dream team era really be "Back to the Street" and "This Means War"?
I know. Just pointing out the fallacy in the terminology.cvs2kids wrote:I hear ya on this, however, "Dream Team" has unofficially been given to the members during the BB years. When most people think of Petra, that's whom they think of.separateunion wrote:Ok, so I understand that "The Dream Team" era was when Petra was at their popularity pinnacle, but isn't the dream team supposed to be the best members? No knock on Ronnie, but I think he was one of the least talented bass players Petra ever had. Mark Kelley was better. Greg Bailey was better. Lonnie Chapin may have been the best bassist they ever had. So, shouldn't the dream team era really be "Back to the Street" and "This Means War"?
Thank you!! We're currently recording and writing new stuff (own written material to), so please visit our MySpace at regular intervals... We have just recorded an acoustic cover of "Just Reach Out", we'll publish it tomorrow I think, for a little while.sue d. wrote:DO go and listen to Jannice & Rickard's (above & link below) version of ONLY MEN -- it's wonderful!
http://www.myspace.com/jannicerickardSkyCaptain wrote:Yea, I like the cover of "Only Men!"
I very much agree. I haven't had the privilege of listening to Petra live, but from the video and the albums that I've listened to, Lonnie sounds best to me.separateunion wrote:Ok, so I understand that "The Dream Team" era was when Petra was at their popularity pinnacle, but isn't the dream team supposed to be the best members? No knock on Ronnie, but I think he was one of the least talented bass players Petra ever had. Mark Kelley was better. Greg Bailey was better. Lonnie Chapin may have been the best bassist they ever had. So, shouldn't the dream team era really be "Back to the Street" and "This Means War"?
Lonnie's style didn't really fit well with the straight forward sound Petra was known for, but he was still the most talented bassist they had, in my opinion.Vic wrote:I very much agree. I haven't had the privilege of listening to Petra live, but from the video and the albums that I've listened to, Lonnie sounds best to me.separateunion wrote:Ok, so I understand that "The Dream Team" era was when Petra was at their popularity pinnacle, but isn't the dream team supposed to be the best members? No knock on Ronnie, but I think he was one of the least talented bass players Petra ever had. Mark Kelley was better. Greg Bailey was better. Lonnie Chapin may have been the best bassist they ever had. So, shouldn't the dream team era really be "Back to the Street" and "This Means War"?
Apart from his techniques, I prefer his head-swelling deep bass sound. Was he behind the bass solo in the track God Fixation? That's one unforgettable piece though the song doesn't seem to be a favourite here at the zone (regrettably).
I would say that depends on how old you are. When I think of Petra I think of the first dream team which was GXV, Bob, Louie, Mark and John Slick. IMO Petra was at the peak of their career from the time they released More Power to Ya through the time they released Beyond Belief. Everything outside of that was either on the way up or on the way down.I hear ya on this, however, "Dream Team" has unofficially been given to the members during the BB years. When most people think of Petra, that's whom they think of.
brent wrote:I agree. Unless you have heard them all live, and have heard everything that they can do, it is hard to say who was best technically. All we can do is prefer who was best in the era of preference.
I maintain that Mark Kelly was the best well-rounded bass player and Slick the best all round keys player. He was borderline genious.