Angel of Light and Grave Robber Now Added to Samples
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Re: Angel of Light and Grave Robber Now Added to Samples
Now Michael Sweet is an all different person. That last album Stryper did was just sick. Michael just went up on those notes like they were nothing.
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Re: Angel of Light and Grave Robber Now Added to Samples
He was good on the last album, but it still ain't what he had when he was young.
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Re: Angel of Light and Grave Robber Now Added to Samples
To me John at his best: You Are I Am, I Love The Lord (my favorite Petra song of all time), This Means War, All Fired Up, Perfect World, Lovely Lord.
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Re: Angel of Light and Grave Robber Now Added to Samples
There is a common belief in the industry that having someone sing to the limits of their range is exciting and more emotional than not. I think it does sound good most of the time. But people should, IMO, record singing lower than they are capable, thus making it possible to soar live without maxing out the pipes from beginning to end. The singer will not be able to sing that crap forever, everyone will know it and hold it over the guy's head. It is not fair.
I like John's range of yesterday. I like his scruff now.
I like John's range of yesterday. I like his scruff now.
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Re: Angel of Light and Grave Robber Now Added to Samples
The scruff of today is what I really like.
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Re: Angel of Light and Grave Robber Now Added to Samples
Right on man - amazing how people seem to think that higher is always better. IMHO, both Greg and John have actually gained a bit with their "aged" voices - Greg has a more modern, adult contemporary sound, with plenty of that "Volzness" that he was known for, but without some of the shrill, high soprano notes that, while they may have been just the thing in the 70s (hey - I still like them!), sound a bit absurd to alot of modern listeners.brent wrote:There is a common belief in the industry that having someone sing to the limits of their range is exciting and more emotional than not. I think it does sound good most of the time. But people should, IMO, record singing lower than they are capable, thus making it possible to soar live without maxing out the pipes from beginning to end. The singer will not be able to sing that crap forever, everyone will know it and hold it over the guy's head. It is not fair.
I like John's range of yesterday. I like his scruff now.
John in turn has a much thicker, richer tone in his lower range, which is where most of his range is these days - he sounds best when he stays lower and with a powerful rasp, saving the high, soaring notes for the "right place". That's what really made J&H work for me - it's unfortunate that that was their last album and John had to work with a whole lot of the older material (as much as I like it) for the Farewell tour/album - although IMHO he did great, he really wasn't in that groove anymore. Had they continued at least long enough for another album or two they might have had more material that was suited to John's "new" voice. Incidentally, I hope that if John's next solo project is a rocker, he'll stick to a heavier, lower tone and belt it out for "special occasions" to make a real hit.
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Re: Angel of Light and Grave Robber Now Added to Samples
I agree, while J&H was more rock than anything. Somehow I feel that something harder could have been the next step. With bands like Demon Hunter and Staple out today, I really feel Petra could have really just unleashed some really sick stuff with Bob and John. But I think Peter producing for them wasn't a good idea to begin with, they needed a more Modern Metal producer to help out. And with Paul Simmons on Drums, I think they could have really achieved a more heavey album, that dude can double like no one else.
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Re: Angel of Light and Grave Robber Now Added to Samples
Yay, Bakersfield just listed two of my favorite modern Christian metal bands.
I think Farewell shows why most live albums are recorded over multiple shows and spliced together. John sounded great when I saw him on that tour in Dallas, which was after the Nashville show. Even my non-Petra-fan friend, who went basically because he was curious more than anything else, said he was surprised how good Petra was on stage, from both a sound and a musicianship perspective. Too bad Inpop wouldn't splurge on recording another show to get a good mix of songs from both...
I think Farewell shows why most live albums are recorded over multiple shows and spliced together. John sounded great when I saw him on that tour in Dallas, which was after the Nashville show. Even my non-Petra-fan friend, who went basically because he was curious more than anything else, said he was surprised how good Petra was on stage, from both a sound and a musicianship perspective. Too bad Inpop wouldn't splurge on recording another show to get a good mix of songs from both...
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Re: Angel of Light and Grave Robber Now Added to Samples
I'm not saying that either of them sound bad. I still love listening to both of them. Just pointed out the fact that both lost some range from their younger days. I don't care though, they both still sound great to me.
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Re: Angel of Light and Grave Robber Now Added to Samples
When I brought Petra to Youngstown, Ohio for the November 13th stop of its Farewell Tour, John, Bob and I talked about the (then-upcoming) "Farewell" album... Bob mentioned that he wished they could have recorded it later on in the tour, because the band was obviously better rehearsed. John also mentioned that he was feeling sick the night of the "Farewell" taping, and that it was a very rough night on his vocals. For this reason, I don't think "Farewell" is an accurate indicator of John's current vocals and range. On the flip side, knowing that he was sick, I look at John's performance on "Farewell" as an impressive one - we all know examples of vocalists who cannot perform as well, even in full health.bakersfieldpethead wrote:I'll admit John sounded a lot better on J&H then he did on Farewell. But the main problem with Farewell was that it was a bad mix to begin with.
For what it's worth, when they performed at our show, John had no problem at all hitting the high notes - and he was on-key and on fire during the entire performance. One of my helpers who was there (who is also an amazingly gifted singer) made a comment from the front row after John's sustained closing high note of "Judas' Kiss" that "He can sing higher than *I* can!" Perhaps he heard her comment, because immediately afterward he commented on stage, "I know, I know... only GIRLS are supposed to hit that note!" It was a hilarious moment that I'll never forget.
Someday when I actually finish composing and recording my own album, I'd love to look into having John sing on it - because like Brent, I'm a fan of his vocals - present AND past.
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Re: Angel of Light and Grave Robber Now Added to Samples
Gee, that could be new job for John right there. If he had or has a home studio, people could send their studio backing tracks and he could add vocals to them. Heck, I have a couple dozen of my own songs that I have professional demos of that he could do that with.
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Re: Angel of Light and Grave Robber Now Added to Samples
He doesn't have a home studio any more, but he DOES have access to a professional recording studio with his producer/son-in-law, Dan Needham.
Backing vocals are a definite possibility - if anyone is seriously interested - drop me an email.
Backing vocals are a definite possibility - if anyone is seriously interested - drop me an email.
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Re: Angel of Light and Grave Robber Now Added to Samples
Actually, I meant adding lead vocals to backing tracks, but it would greatly depend on how much he would need to do it.
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Re: Angel of Light and Grave Robber Now Added to Samples
I would love to have John sing some of my songs, playing drums for him would be a dream come true also
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Re: Angel of Light and Grave Robber Now Added to Samples
Matthew RJ wrote:Greg had 3 solo projects that were really iffy to me musically, but Greg + Bob in anything Petra, or John + Bob in anything Petra is gold to me.
Heck I'd take Greg or John humming as they shave with Bob strumming a guitar solo in the background and still be happy. What's all the fuss about?
Thats good.
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