Classic Petra sings the blues
Posted: Fri Jul 05, 2013 5:01 pm
Food for thought...
I really like what Julian Downward did with his video of "All Over Me" from the Classic Petra concert in the UK in 2011.
http://youtu.be/s5c6YwhMemI
But every time I watch it and other Classic Petra performances from their BTTR tour (the extended version of "Judas Kiss" is another one that springs to mind) I can't help but think of how much this version of the band has often had a kind of bluesy, gospel sound undergirding their specific style. I like that and think it helps define this era of Petra's unique-ness, certainly with Volz' unique vocals as well.
Now, this is all hypothetical, of course, as the future of anything with CP remains uncertain at best but...hypothetically, I can't help but wonder what if Classic Petra went the route of having an original album of bluesy, gospel rock for their follow-up. It follows in the vein of the tone of some of the stuff they did in the trilogy albums of NSD/MPTY/NOTW and in John Slick's keyboard style of that time. I've noticed in re-watching many of CP's stuff on YouTube from the tour that John Lawry fluently melded Slick's gospel-ly (read Hammond organ) style with his own creative style to create a really nice keyboard bed for many of the old tunes. I liked the result.
What if CP were to continue with just such an album and style, reserving the "hard rock" vein stuff for the Schlitt era of Petra? This is not to say that CP wouldn't still rock (Petra means "rock" and all that) but just that with a diversified fan base of all these different versions of Petra still out there, each wishing for their own "preferred" Petra, perhaps defining the differences between each of the "eras" might help to unify the whole. Which is not the point of my topic but still another interesting off-shoot of this whole thing that just occurred to me.
How many of you might support a CP effort in that vein? Just curious.
I really like what Julian Downward did with his video of "All Over Me" from the Classic Petra concert in the UK in 2011.
http://youtu.be/s5c6YwhMemI
But every time I watch it and other Classic Petra performances from their BTTR tour (the extended version of "Judas Kiss" is another one that springs to mind) I can't help but think of how much this version of the band has often had a kind of bluesy, gospel sound undergirding their specific style. I like that and think it helps define this era of Petra's unique-ness, certainly with Volz' unique vocals as well.
Now, this is all hypothetical, of course, as the future of anything with CP remains uncertain at best but...hypothetically, I can't help but wonder what if Classic Petra went the route of having an original album of bluesy, gospel rock for their follow-up. It follows in the vein of the tone of some of the stuff they did in the trilogy albums of NSD/MPTY/NOTW and in John Slick's keyboard style of that time. I've noticed in re-watching many of CP's stuff on YouTube from the tour that John Lawry fluently melded Slick's gospel-ly (read Hammond organ) style with his own creative style to create a really nice keyboard bed for many of the old tunes. I liked the result.
What if CP were to continue with just such an album and style, reserving the "hard rock" vein stuff for the Schlitt era of Petra? This is not to say that CP wouldn't still rock (Petra means "rock" and all that) but just that with a diversified fan base of all these different versions of Petra still out there, each wishing for their own "preferred" Petra, perhaps defining the differences between each of the "eras" might help to unify the whole. Which is not the point of my topic but still another interesting off-shoot of this whole thing that just occurred to me.
How many of you might support a CP effort in that vein? Just curious.