Other Samples Are Up
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Other Samples Are Up
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"In the middle of the night, the idiot himself awaits"
"I have been young, now I am old-ish"
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Re: Other Samples Are Up
WOW! They really beefed up "Clean"
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If you like Petra you might like my music. You can download it free.
http://www.godlychristianmusic.com/Musi ... &name=Mike and Martha Tifft
http://www.godlychristianmusic.com/Musi ... &name=Mike and Martha Tifft
Re: Other Samples Are Up
Man this stuff is good. Angel of Light is beastly in comparison to the original. That's some mean sounding bass too.
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Re: Other Samples Are Up
Hey pfreak can you hit us up with these for download. I don't use firefox I'm an IE guy, but RealPlayer's not downloading the tracks.
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"In the middle of the night, the idiot himself awaits"
"I have been young, now I am old-ish"
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Re: Other Samples Are Up
mp3 of "Clean" sample can be dl here:
http://www.petrafiles.com/files/Clean.mp3
http://www.petrafiles.com/files/Clean.mp3
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https://www.youtube.com/@trodland
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Re: Other Samples Are Up
Get a collection of all released samples here:
http://www.petrafiles.com/files/BTTRPremaster.zip
Included in Zip-file are:
Adonai x2
Angel Of Light - Full Track
Angel Of Light x2
Bema Seat x2
Clean
Grave Robber
More Power To Ya - Full Track
More Power To Ya x2
Rose Colored Stained Glass Windows x2
http://www.petrafiles.com/files/BTTRPremaster.zip
Included in Zip-file are:
Adonai x2
Angel Of Light - Full Track
Angel Of Light x2
Bema Seat x2
Clean
Grave Robber
More Power To Ya - Full Track
More Power To Ya x2
Rose Colored Stained Glass Windows x2
Last edited by trodLAN on Mon Nov 08, 2010 6:07 am, edited 2 times in total.
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Re: Other Samples Are Up
The tracks at the top link I posted are different samples
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"In the middle of the night, the idiot himself awaits"
"I have been young, now I am old-ish"
- Dan
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Re: Other Samples Are Up
Thanks for all the samples Bakes! I wouldn't have found them otherwise.
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Re: Other Samples Are Up
I have added these other samples into my zip file for easy download.
I wasn't aware the samples were different....
I wasn't aware the samples were different....
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Re: Other Samples Are Up
Out of the samples I've heard I think Bema Seat and Clean are very heavy and awesome; I'm not really liking Rose Colored it seems to have lost its organic feel on the first verse, The Chorus seems somewhat better, but I think it will have to grow on me.
Angel Of Light is also another highlight I think. Too me two things stand out on these samples; Bob's guitar work and you can really tell thats Louie playing the drums which in both cases will be the two highlights of this Album.
Angel Of Light is also another highlight I think. Too me two things stand out on these samples; Bob's guitar work and you can really tell thats Louie playing the drums which in both cases will be the two highlights of this Album.
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FORGIVE! FORGET! & LET GO!
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Re: Other Samples Are Up
Agree on Clean and Bema Seat, but I think I disagree a bit at this point on Rose Colored... Granted, we're dealing with unmastered clips, but of the ones I've heard so far, Rose Colored has the best vocal of the samples. Greg sounded most comfortable on this song. MPTY was basically the same as the original, except the keyboards were different. Greg was pretty clean on this one as well. Different strokes for different folks, of course, but I have a hard time not liking or letting grow on me anything Petra has done, so I'm probably not the best judge here.executioner wrote:Out of the samples I've heard I think Bema Seat and Clean are very heavy and awesome; I'm not really liking Rose Colored it seems to have lost its organic feel on the first verse, The Chorus seems somewhat better, but I think it will have to grow on me.
One thing I've notices is how tight this group is musically. Bob certainly is the heart and soul of this group, but you'd have no idea that these 5 guys haven't played together in 25 years if you just picked up this CD. Everything is clean and solid.
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Re: Other Samples Are Up
Rose colored is kind of iffy on me too. Seems a little drawn out in some places.
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"In the middle of the night, the idiot himself awaits"
"I have been young, now I am old-ish"
Re: Other Samples Are Up
Ya, but it is studio work. I mean, they're all talented musicians and can do numerous takes. Playing together live is the real question.loengard wrote:Agree on Clean and Bema Seat, but I think I disagree a bit at this point on Rose Colored... Granted, we're dealing with unmastered clips, but of the ones I've heard so far, Rose Colored has the best vocal of the samples. Greg sounded most comfortable on this song. MPTY was basically the same as the original, except the keyboards were different. Greg was pretty clean on this one as well. Different strokes for different folks, of course, but I have a hard time not liking or letting grow on me anything Petra has done, so I'm probably not the best judge here.executioner wrote:Out of the samples I've heard I think Bema Seat and Clean are very heavy and awesome; I'm not really liking Rose Colored it seems to have lost its organic feel on the first verse, The Chorus seems somewhat better, but I think it will have to grow on me.
One thing I've notices is how tight this group is musically. Bob certainly is the heart and soul of this group, but you'd have no idea that these 5 guys haven't played together in 25 years if you just picked up this CD. Everything is clean and solid.
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Re: Other Samples Are Up
I think there is still some misconception as to just what mastering is. Mastering is listening to the songs, sequencing them so that they flow musically, balancing lyrical content, dynamics, EQ, etc. In some cases it is crisis management. In some cases it means correction and restoration. But for the most part, there is no magic going on. It is really a simple process or adding fractions of decibels of EQ here and there, unlike the recording process where someone might use a mic or an EQ that adds 20dB of boost or cut.
Then the mastering engineer does different processes for CD, MP3, etc. Vinyl is a completely different formatting, compression and EQ process alltogether.
Now, the mastering engineer CAN do damage by over compressing, which is what most labels and artists want, so that they sound crappy like everyone else. This IS slowly changing. Levels are coming down, dynamic range is increasing.
When mastering engineers have their hands tied and are forced to normalize so that the average volume is the constant peak all of the time, it basically nulls the subtle work done by the artists and mixing engineers. It collapses the stereo image. It makes the sound come across as flat, one dimensional. It can make an album that gave the listener a break from loudness fatiguing. This is why most people cannot stand to listen to digital music for more than 30 minutes. It does not sit well with our brains and bodies. For me, I just don't like the sound of things on 10 all of the time, no matter if I am listening at low levels.
To say that an engineer is bad for going along with this is silly. We all have to do things we prefer not to do. But at the end of the day, we are not paid for our opinions and preferences. We are paid to do what we are told. If we want to continue to eat, we will do it. People that refuse to do what they are told find it hard to keep work and eat. I like food too much to do that.
Then the mastering engineer does different processes for CD, MP3, etc. Vinyl is a completely different formatting, compression and EQ process alltogether.
Now, the mastering engineer CAN do damage by over compressing, which is what most labels and artists want, so that they sound crappy like everyone else. This IS slowly changing. Levels are coming down, dynamic range is increasing.
When mastering engineers have their hands tied and are forced to normalize so that the average volume is the constant peak all of the time, it basically nulls the subtle work done by the artists and mixing engineers. It collapses the stereo image. It makes the sound come across as flat, one dimensional. It can make an album that gave the listener a break from loudness fatiguing. This is why most people cannot stand to listen to digital music for more than 30 minutes. It does not sit well with our brains and bodies. For me, I just don't like the sound of things on 10 all of the time, no matter if I am listening at low levels.
To say that an engineer is bad for going along with this is silly. We all have to do things we prefer not to do. But at the end of the day, we are not paid for our opinions and preferences. We are paid to do what we are told. If we want to continue to eat, we will do it. People that refuse to do what they are told find it hard to keep work and eat. I like food too much to do that.
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- sickasadog
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Re: Other Samples Are Up
+1brent wrote:I think there is still some misconception as to just what mastering is. Mastering is listening to the songs, sequencing them so that they flow musically, balancing lyrical content, dynamics, EQ, etc. In some cases it is crisis management. In some cases it means correction and restoration. But for the most part, there is no magic going on. It is really a simple process or adding fractions of decibels of EQ here and there, unlike the recording process where someone might use a mic or an EQ that adds 20dB of boost or cut.
Then the mastering engineer does different processes for CD, MP3, etc. Vinyl is a completely different formatting, compression and EQ process alltogether.
Now, the mastering engineer CAN do damage by over compressing, which is what most labels and artists want, so that they sound crappy like everyone else. This IS slowly changing. Levels are coming down, dynamic range is increasing.
When mastering engineers have their hands tied and are forced to normalize so that the average volume is the constant peak all of the time, it basically nulls the subtle work done by the artists and mixing engineers. It collapses the stereo image. It makes the sound come across as flat, one dimensional. It can make an album that gave the listener a break from loudness fatiguing. This is why most people cannot stand to listen to digital music for more than 30 minutes. It does not sit well with our brains and bodies. For me, I just don't like the sound of things on 10 all of the time, no matter if I am listening at low levels.
To say that an engineer is bad for going along with this is silly. We all have to do things we prefer not to do. But at the end of the day, we are not paid for our opinions and preferences. We are paid to do what we are told. If we want to continue to eat, we will do it. People that refuse to do what they are told find it hard to keep work and eat. I like food too much to do that.
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